Smithsonian Voices

From the Smithsonian Museums

Two Natives waiting for the fire fight

A Return to the Wounded Knee Occupation, 50 Years Later

The new era of social consciousness and racial activism in the 1970s would play a pivotal role in the events leading up to the 71-day occupation

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National Poetry Month: An Interview With Alaskan Poet Ishmael Angaluuk Hope

Worth Waiting, Craig George

Romance in Indian Country

Taffy Abel

A Forgotten Olympic First

Coyote and Turkeys Illustration

Native Ghosts and the Supernatural

Rebecca Hill-Genia in the award-winning documentary

Films for Fans of All Kinds from the Museum’s Native Cinema Showcase 2020, This Year Screening Online

Doña Ofelia Esparza decorates the ofrenda

Celebrate the Day of the Dead from Home with Music, Butterfly Science, Cultural Presentations, and Family Activities

People protest against the name of the Washington, D.C., NFL team before a game between Washington and the Minnesota Vikings. Minneapolis, November 2, 2014. (John McDonnell/The Washington Post via Getty Images)

Ending the Use of Racist Mascots and Images

Visitors look at a large, cut-paper work by Ian Kuali’i (Native Hawaiian and Mescalero Apache), on view at the Red Bull House of Art Detroit. Kuali’i was a resident artist at the experimental, noncommercial arts organization in 2016. (Red Bull, courtesy of Ian Kuali’i)

From aspiring breakdancer to accomplished artist, Ian Kuali’i traces his path so far

From a Dance Performance on the Residential School Experience to a Symposium Celebrating Native Women's Art, Women’s History Month Matters at the National Museum of the American Indian

Alaska Magazine calls the Inuit drum-dance group Pamyua

From new music and dance fusions to traditional festivals, the museum's Native American Heritage Month is something special

Norma Baker–Flying Horse (third from left) with models wearing her Red Berry Woman designs. Paris Fashion Week, March 2019. (Ulla Couture Photography)

"A Lot of Our Traditional Clothing, We Had to Fight to Keep"—Fashion Designer Norma Baker–Flying Horse

Lyricist, musician, and dancer Christian Parrish Takes The Gun, aka Supaman. (Matika WIlbur)

"To Reach More, Serve More, Inspire More, and Just Live More"—Hip Hop Artist Supaman

Jazz performer and composer Delbert Anderson (Navajo). (Shutterfreek Photography)

"The Swing of the Navajo Heartbeat and the Improvisation of Navajo Chants"—Musician Delbert Anderson

Michael Smith, founder and director of the American Indian Film Institute, at the 42nd annual American Indian Film Festival. November 2017, San Francisco. (Courtesy of the American Indian Film Festival)

Native Film Advocate Michael Smith (1951–2018)—An Appreciation

In the exhibition

The entangled history of non-Native Americans and American Indians has shaped and defined who we are as a people

From left to right: Zack “Doc” Battiest, Taboo of the Black Eyed Peas, and Spencer Battiest in the music video

Musician Spencer Battiest talks heritage, motivation, and Standing Rock ahead of museum concerts

Poet and spoken word artist Autumn White Eyes. (Angel White Eyes for Red Cloud School)

Writing as Cathartic Practice and with Intention toward the Audience: Autumn White Eyes on Poetry

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A Return to the Wounded Knee Occupation, 50 Years Later

How Shared Stewardship Is Bringing to Light One of the World’s Most Significant Holdings of Mi’kmaw Cultural Items

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